College of Design Category
It used to be that job seekers didn’t need to worry about how they looked until they visited a company for a job interview or made the rounds at a career fair.
But like many other facets of life today, the hunt for a job now often takes place online. And that means that people looking for a job – or to switch jobs – need to be mindful of how they present themselves online.
“The hiring process has changed,” says Fiquet Swain, a 2000 graduate of NC State’s College of Design. “The first thing you do now is go online and go behind the scenes and check the person out.”
As the owner of Luxe Apothecary, a Raleigh beauty store, Swain knows a lot about helping women make a good first impression. So she has teamed up with another NC State alumna, photographer Lindsey Williams, to help other Wolfpack women who may be in the job market.
Swain and Williams are the speakers at an upcoming workshop hosted by the Alumni Association’s Career Services office and the Wake County Alumni Network. They will provide advice on how to best apply makeup for professional photos that can then be used on online sites such as LinkedIn. Williams will also talk about how to plan your wardrobe to get the best photo.
Attendees at the workshop will be entered for the chance to win a professional makeover by Swain and a photo shoot by Williams. The workshop will be held at Luxe Apothecary at 4209 Lassiter Mill Road in Raleigh. The cost is $10 for Alumni Association members and $15 for nonmembers. Registration is required.
“I do makeup for a living,” Swain says. “I know what photographs well. Like it or not, it’s now a big part of the hiring process and networking.”
Swain says that some women make the mistake of thinking that they won’t look professional if they use makeup.
“There’s nothing wrong with looking great,” she says. “People have progressed to the point that they can be attractive and serious. They are not going to be looking like they are going to a nightclub. It’s all a balance and about looking your best.”
Williams, a 2007 graduate of the College of Design, does portrait, wedding and equine photography. She welcomed the chance to give back to NC State and its alumni.
“It’s a great way to help women out, to give them something professional they can use,” Williams says. “I want to help people get the photo that they need, so they can have a professional look.”
NC State’s Kat Robichaud has been keeping busy since she left NBC’s “The Voice” last year, ending the season as one of the top 10 performers. The College of Design graduate is on her way to making her debut album, which she describes on her Kickstarter site as a “theatrical rock explosion.”
Kat Robichaud at Manifold Studios
Robichaud launched the Kickstarter effort on Feb. 3 with a goal of $20,000—and reached it in just three days. She’s now raised over $30,000 from over 600 donors, and will be recording the album at Manifold Studios in Pittsboro, N.C. where she’ll be assisted by Manifold’s chief engineer, NC State graduate Ian Schreier). She will continue soliciting backers through March 5.
She’s been putting together a core band (keyboard, drummer, bass, guitar) and hopes to include trumpet, string quartets and possibly guest artists as well with songs about love, heartbreak and even “Doctor Who” (Robichaud is a big fan). The album will be recorded this spring with a September release date.
Robichaud will be talking about her experience on “The Voice” and how her design education at NC State influenced her career on Friday, Feb. 28, at an appearance hosted by the College of Design. The event begins at 6:30 p.m. at Burns Auditorium in Kamphoefner Hall. It’s free, but space is limited so registration is required. Expect a few songs from Robichaud as well.
Here’s one way the 2006 graduate’s design background comes through: Robichaud created a portrait of Doctor Who using individually placed roses, and backers who pledge $75 toward her album can get a limited-edition print.
—Sylvia Adcock ’81
Abie Harris will turn 80 in early January, and his friends and colleagues at the Roundabout Art Collective in Raleigh have come up with a special way to celebrate the occasion and Harris’ long ties to NC State.
Harris is an NC State alumnus, having graduated with a degree in design in 1957. Following graduation, Harris won the prestigious Paris Prize in Architecture and was able to travel and study throughout Europe. He eventually returned to NC State as a professor in the College of Design and the university architect, a job that gave him a leading role in the development of Centennial Campus and the re-development of Main Campus.
But Harris is also an artist, focusing on drawing in pastels and acrylics since he retired from NC State in 1998. He is a charter artist at the Roundabout Art Collective, which will celebrate his 80th birthday with a retrospective of his life in art. The show, which opens on Jan. 3 as part of Raleigh’s First Friday festivities, will feature nearly 60 years of Harris’ drawings and paintings. Some of the drawings will be sketches of buildings on NC State’s campus that Harris did while he worked at the university. On Saturday, Jan. 4, Harris will open the studio and gallery in his home in Raleigh to showcase more of his works.
A drawing by Harris of the Parthenon from his travels as a recipient of the Paris Prize
“There are drawings that were part of my work as university architect,” Harris says. “There are a lot of travel sketches and recent paintings that I’ve done. It will have a lot of variety.”
Even in retirement, Harris has maintained his ties to NC State, walking across campus every day to work out in Carmichael Gym. It’s a campus that he helped shape and design.
When Harris was hired as the university architect, Chancellor John T. Caldwell was clear about his mission. “Caldwell charged me with making the campus a better looking place,” Harris recalls. “Looking back at it, I feel very satisfied that the campus is much nicer today than it was then.”
The Court of North Carolina, for instance, had a street running through it when Harris started working at NC State. “We have taken parking lots and made courtyards out of them,” he says. “The whole emphasis was on the spaces in between. That is something that is starting to mature and blossom.”
The creative energy that Harris brought to his work on campus is now directed into his art. He says that joining the Roundabout Art Collective — and surrounding himself with high-energy, creative people — has been a boon to his own productivity.
“I very much enjoy the process,” Harris says of his drawings and paintings. “I enjoy the finished product because it’s very seldom what I imagine it’s going to be. I’ve always enjoyed putting ink or color on paper and seeing how those interact and take on a life of its own.”
Harris recently took on the unusual challenge of drawing music. Yes, drawing music. Harris was challenged by a friend who performs in the N.C. Symphony to draw the Goldberg Variations, compositions by Johann Sebastian Bach, during a recent performance by the symphony. So Harris drew the music — he ended up creating about 50 drawings (right) and paintings — while listening to the symphony perform. “That was fairly unusual,” he says.
Harris is excited about the upcoming retrospective.
“I’ve learned a lot about myself going through this process,” he says. “I like to draw and hope to continue to draw. I hope that people just appreciate that process.”
Kat Robichaud received her degree from NC State in graphic design in 2006 and then spent seven years touring with a glam rock band called The Design. After her band broke up last October, she got a call to audition for NBC’s The Voice.
Since then, her life has been a whirlwind as she flew back and forth from Raleigh to Los Angeles for auditions, then tapings and, finally, live shows. With audience votes and saves from the show’s coaches, she made it to the Top 10, no easy feat. If you want to hear Robichaud sing, she’ll be performing Friday on WUNC-FM’s “The State of Things” at noon (EST). (If you’re outside the listening area, you can hear the live stream by going to the show’s website.)
We sat down with Robichaud this week to talk about her experiences and her plans for the future.
What would surprise people most about the inner workings of the show? The way that it’s shot is pretty much how it is….Once you get to the live shows, though, time is really of the essence. We’d get a group song the day before the performance; it was like crunch time. We would have to go up there, learn our lyrics, do a good job, learn the choreography. … And you’re not sleeping very much. They’re constantly reminding you to take care of yourself, to get enough rest, to keep yourself hydrated, to take Vitamin C.
You wore some interesting costumes, from leather pants for Alanis Morrissette’s “You Oughta Know” to a flamenco-inspired dress for Pat Benatar’s “We Belong.” Did you pick out the clothes or did the show choose? Each person put together a “look book” of outfits we liked. I put pictures of David Bowie, Florence and the Machine, the Rocky Horror Picture Show… The head of the wardrobe department would go out shopping and come back with racks of clothing. I would say, “I don’t like this,’’ or “Oh, my god, I love this so much.” She really got me. And then the wardrobe fittings took four or five hours.
What were some of best coaching tips you received? There were two vocal coaches that we worked with….They are legends, they are fantastic. I learned — relearned, really — a lot of stuff that I’d forgotten. Proper warm-up techniques, loosening your jaw…. pushing from your diaphragm. CeeLo [Green, Robichaud’s celebrity coach] really wanted to be myself, which became harder and harder – but not because of the show. The show was always extremely supportive. It was like, “Kat wants to crowd surf? Let her do it.” …. The show was supportive; America wasn’t as supportive at times.
If you had stayed on the show, what would your next song have been? “Applause” by Lady Gaga. It would have been awesome.
Do people in Raleigh recognize you? We were at the flea market. Some lady jumped out, “I know you — you did a great job on The Voice! ” and then she disappeared back into the circle. Some people don’t realize I’m not really like that famous, and they think they can’t talk to you…We had a waitress the other night, and at the very end of the meal, she’s like, “I hope I’m not bothering you…” We’re like, “Dude do you want to sit down with us? Do you want a glass of wine?” Because this is actually super enjoyable for me.
What’s next? Are you going to be The Voice finale show? I am leaving Monday for L.A. to prepare for the reunion show Dec. 17. The Top 20 will all be performing… And I am writing a new album. I’ve got some great material. I’m going to go on tour. So it’s write, tour, be happy.
—Sylvia Adcock ’81
Jessica Roush, a 2010 NC State graduate living in Milwaukee, Wis., has been listening to public radio for as long as she can remember.
“My parents are pretty avid NPR listeners. Growing up we would listen in the car and on road trips,” says Roush, who works as a textile designer for Kohl’s department stores.
So when Roush heard about the My Sound World competition on Threadless, an online site that designs and sells clothing, she jumped at the chance to design the official T-shirt for NPR.
Roush’s design, “NPR: Plugged In,” features a pair of over-the-ear headphones topped with urban, suburban and rural landscapes and the cord spelling out NPR below. It was inspired by how Roush listens at work.
A few weeks later, her design was selected out of more than 150 submissions as the winner. She was at work when she received the email.
“It was fantastic, I was completely flabbergasted,” Roush says. “I totally screamed at work and everybody kind of gathered around my desk. I assumed I wasn’t going to win anything, so it came as a huge surprise.”
In addition to having her design sold as the official NPR T-shirt, Roush won a cash prize, Threadless gift credit, a special edition iPod dock, an autographed copy of “This is NPR” and a private tour of NPR headquarters in Washington, D.C.
Roush plans to take the trip over her Christmas vacation and is looking forward to visiting the NPR music office, home of the Tiny Desk Concert series, and putting faces with the names of some of her favorite radio personalities.
“I really lucked out,” Roush says. “A lot of people I know that have entered on Threadless have dozens of entries that don’t win and sometimes you just luck out, so I was really fortunate.”
Though Roush designed for NC State’s Art2Wear in 2009 and double-majored in art and design and textile technology, she says designing the shirt was different than any of the work she did at State, where she was an Anni Albers Scholar.
“In school it was more print pattern-based and more dying and weaving and things like that,” Roush says. “It wasn’t until after I graduated that I started to do more graphics.”
She says designing a T-shirt for a Threadless competition was also different than the work she does at Kohl’s.
“It’s a younger audience and a younger buyer versus Kohl’s,” Roush says. “I don’t get to do as many younger or kid-friendly designs.”
Roush says entering design competitions on Threadless is a way for her to do some “work outside of work” and broaden her portfolio.
Though she had only entered a few times before winning the NPR contest, Roush says she plans to enter many more in the future.
Roush’s “NPR: Plugged In” T-shirt is available online in the NPR shop.
A little over a year ago, Susannah Brinkley and a friend launched an experiment. They hoped that it would help them — and others — learn a lot more about all the cool places and amazing people that can be found in the Triangle. All they needed was a smart phone, an Instagram account and the help of hundreds of strangers.
And guess what? It worked.
Susannah Brinkley, with some of the photos (below) she shared from her recent day with the baton.
Brinkley, a 2011 graduate of NC State’s College of Design, and her friend, Brittany Iery, recently celebrated the first anniversary of RDU Baton. Brinkley and Iery describe RDU Baton as a collaborative photo project in which strangers with only one thing in common — their love of the Triangle — spend a day taking photos of places and people that make Raleigh, Durham or Chapel Hill special to them. They then use Instagram to share those photos with the 2,000 people who follow RDU Baton online before handing off the virtual baton to someone else to do the same thing the next day.
“It’s a neat way to discover new parts of where you live,” says Brinkley, a freelance graphic designer. “I had lived in Raleigh for six years, and had my own little corner. It’s really nice to be opened up to other people’s little corner.”
When Brinkley took the baton recently to celebrate RDU Baton’s first anniversary, she shared photos of the “Listening Vessels” near the Brickyard, a cup of coffee she enjoyed at Scratch Bakery in Durham, a view of the Sarah P. Duke Gardens and the pizza she enjoyed at Lilly’s Pizza in Raleigh’s Five Points for lunch.
Others have recently shared photos of an alley in downtown Raleigh, a scene from the Kings & Queens Bowling League and the insides of a gym in Seaboard Station. One recent “runner” proudly posted a photo of an NC State cup. “Gotta show some pack pride,” she wrote. “I’m so glad to be part of this wonderful community of Raleigh. I have met some truly amazing people here!”
About 250 people took turns holding the baton during the first year. Brinkley and Iery manage the project in their spare time, so they only hand the baton out on weekdays. They also ask that those holding the batons steer clear of an Instagram staple – the selfie (or self portrait, for those not familiar with the term).
“We want people to enjoy their day with the baton,” Brinkley says. “We want to see a normal day in their life, showcasing the things they like to do.”
There are a few other rules — post only photos you took during your day with the baton, don’t post more than 6 to 8 photos during your day, and write captions to let others know what they are seeing — but Brinkley and Iery otherwise leave it up to each day’s photographer to decide what to shoot and share.
“Personally, I like to hear their stories,” Brinkley says.
Brinkley and Iery got the idea from a similar project in New York known, appropriately enough, as NYCbaton. They got permission to start a similar site in the Triangle, and have been surprised and pleased with the results so far.
“We like to watch where the baton is going,” Brinkley says. “One time we were out to eat together, and we looked on Instagram and someone had posted from the same restaurant where we were. That’s so awesome.”
RDU Baton has tilted toward Raleigh, Brinkley says, with few submissions from people in Durham and Chapel Hill. Brinkley says she hopes that changes, and that they welcome “runners” from anywhere in the Triangle. Slots in November have already been assigned and there are about 30-40 people are on a list waiting their turn with the baton.
Brinkley moved to Charlotte, N.C., earlier this year. But she has no plans to abandon RDU Baton, at least for the foreseeable future. She enjoys being known as a “baton girl.”
“It’s cool,” she says, “that people are excited about it.”
Bill Sears grew up near the intersection of High House Road and Davis Drive in Cary, N.C. But when he was a kid, Davis Drive was a dirt road known as Stone Road and High House Road was a dirt road without a name. The land was a farm, part of some 1,000 acres that had been in his mother’s family for eight generations.
“It was very much part of the country,” says Sears, who went on to become an architect after earning his degree from NC State’s College of Design in 1967.
Sears says it was a working farm that grew tobacco, but only enough to keep him and his siblings busy during the summer. The family’s main business was tobacco warehousing.
Sears’ parents intended to live on the land their entire lives. But as Cary expanded, it became increasingly difficult to maintain the land as a farm. The widening of Davis Drive around 2003 took out the farm house that Sears’ parents had lived in, leaving Sears’ son as the only family member remaining on the property.
But Sears’ parents are moving back to the property, as one of the first residents in a new continuing care retirement community built by Sears. His father, John, is 91 years old and his mother, Maggie Belle, is 90 years old.
“My parents told their children that they intended to live on this farm all their life,” Sears says. “The only was to keep them on the farm was to create an environment to allow them to live there.”
And so SearStone was created. The community, which is owned by the nonprofit Samaritan Housing Foundation, welcomed its first residents on Nov. 1 and 90 percent of the residences have already been sold.
“This is a whole new attitude toward retirement communities,” Sears says. “We are now the standard by which retirement communities of the future will be measured. We’ve definitely raised the bar.”
Before launching SearStone, Sears spent four years studying existing retirement communities along the East Coast. He learned what to avoid and saw features that he wanted to include when he built SearStone. One of his primary goals was to create a community that would give residents a chance to remain active while staying engaged with the larger community around them.
To that end, SearStone is built around a four-and-a-half acre, man-made lake that includes waterfalls, a large fountain and peninsulas and islands for pedestrians. Across the lake from the residences sits a red barn that has been on the land for over 100 years. It will eventually be restored and turned into a maintenance facility.
Sears also has plans to build a botanical conservatory in the middle of the project. He says the College of Design has agreed to manage the facility, which it will use to exhibit plants and landscapes.
Sears and his wife will be moving to SearStone by the end of the year, and he says there will be much more to come as the second and third phases of the project come on line in the coming years.
But he has already completed the most important part of the project.
“SearStone was literally born,” he says, “to put my parents back on the farm.”
A year before architect and NC State alumnus Frank Lee Craig succumbed to his six-year battle with a malignant brain tumor in 2009, the part-time musician laid down six tracks for the album The Disance Is So Near. That release came out in 2011 (and we did a story about that release).
But last month, Margret Kentgens-Craig, Craig’s widow, released a second posthumous CD. Crack in the Sky is a collection of nine songs, ranging in styles from Americana to folk rock to blues, that Craig never got to record professionally in a studio.
Kentgens-Craig says she took the recordings, most of them from casette tapes, to a Raleigh studio for production. But she says the studio said the recording quality didn’t meet industry standards. So the studio offered to cut the nine songs from scratch with studio musicians.
That’s when she was steadfast in her refusal to have anyone but Craig play his songs. “I was afraid we’d lose Frank’s voice,” she says.
The CD, which is available at Quail Ridge Books, is a testament to Craig’s creative side that stretched far beyond his work designing buildings for a Raleigh architect firm, says Kentgens-Craig, an adjunct associate professor at NC State’s College of Design. He also made jewelry, produced art and was an avid photographer.
“Konzert,” a multi-media collage by Frank Lee Craig is the inset to the liner notes in “Crack in the Sky.”
“He was a maker,” she says, adding that Craig flourished because of his training at the College of Design in the late 1970s. “A lot of his creativity came to development at this school. He really belonged here. This is where Frank got his real training in fundamental design.”
Crack in the Sky is a project Kentgens-Craig believes would have pleased her late husband, especially since she employed some help to get it released in the songs’ organic, original forms. She contacted Mickey Raphael, Willie Nelson’s harmonca player, who agreed to play harmonica over the title track. And she enlisted German bassist Many Miketta to add his bassline to the songs.
“It was quite an international project,” she says. “Frank would smile and be happy that his music got out to the world as he wanted it.”
NC State’s Kat Robichaud showed her softer side on a live broadcast of the The Voice last night, singing Mary Lambert’s “She Keeps Me Warm.” It was a bit of a change-up for the glam rocker who previously belted out songs like “You Oughta Know” by Alanis Morissette.
Robichaud, who received a degree in graphic design at NC State in 2006, is one of 20 vocal artists aiming for the top spot on the NBC reality show, which will come with a $100,000 recording contract.
Last night, dozens of supporters crowded into The OC Bar & Grill in Raleigh to watch her take the stage, some carrying “Vote for Kat” and “Katpack” signs and stickers.
At this point in the show, viewers get to have their say — but we won’t know the results until Thursday.
There are four teams of contestants on The Voice, and the three contestants on each team who receive the lowest number of votes will be out of the competition—but the celebrity judges will have the opportunity to save one of those three. Robichaud is one of five vocalists on CeeLo Green’s team.
You can vote for Robichaud until 11 a.m. EST Wednesday. Here’s how: Call 877-553-3704 or go to the show’s website. You can vote up to 10 times per email and phone number. Thursday night’s episode airs at 8 p.m. EST.
– Sylvia Adcock ’81
Justin LeBlanc was not only a finalist on Lifetime’s Project Runway reality show, he’s also been selected as the grand marshal for the Raleigh Christmas Parade. But life is beginning to settle down a bit for LeBlanc, who received a degree from the College of Design and is now an assistant professor there. We had a chance to catch up with him in his office in Leazar Hall this week in between student conferences.
Justin LeBlanc addresses the crowd at showing of the final episode of Project Runway at the Hunt Library
How long were you in New York for the filming of Project Runway? We were there for six weeks. The filming of every episode took two to three days. When Tim [Gunn] would announce the challenge, we’d have a day to do it, but that was 10 hours, not 24 hours. We had to eat and sleep, too – they forced us to eat and sleep! I was so glad when I got home and I could cook my own food.
How much sleep did you get? About four hours a night….I would think of it more as a power nap. We were up at 5 a.m., and sometimes filming past midnight. Some days we were lucky and could sleep in a little. We had K-cup machines everywhere and we used, abused them, a lot.
What was it like having Tim Gunn to dinner at your family’s house in Raleigh? My father fixed him North Carolina barbecue. My father is an amazing cook. Tim loved it, ate all of it. After that he went to The Pit and had more barbecue.
Your collection for the finale at New York Fashion Week included accessories made with 3-D printing, earning a lot of praise from the judges. How did you come up with the idea? When Heidi [Klum] announced that three of us were going back home to design a collection – that was when I had the idea. It just came to me. I knew we had 3-D printing technology at the College of Design. It’s expensive to use, but I had a budget of $9,000…..Of course there were a lot of errors; the machine has a mind of its own.
The showstopper in your collection was a white gown made with tiny pipettes. How long did it take to make that? Well, when Tim came here, he looked at it and told me I would need to bring some people in to help. So I did. It took three days with no sleep ….We had to drill holes in the top of each pipette and then sew them each onto nonslip carpet backing. Then added nail polish to make sure they wouldn’t come untied.
Do you get stopped on the street by people who recognize you? What’s that been like? When I was in Chicago three weeks ago…..a woman was driving and I was walking down the sidewalk. She backed her car up, then got out of the car while it was still running to get a picture. I was like, OK….I have learned the behavior of fans. I know the body language, I can see when someone recognizes me and they freeze up and don’t know how to approach me. Sometimes people take my picture without even asking……People should just come up to me and ask, that’s all, I love striking up a conversation with fans and seeing their insight.
You’re teaching a textiles studio class. What do you like best about teaching? I teach at the College of Design and I expect creative people. I want to know what they would like to do, what media they want to use, I like to see what story they want to tell. They constantly surprise me ….I never know what is coming next.
LeBlanc signs autographs at the Hunt Library
How did you manage to stay clear of a lot of the drama on the show? I was alert for it. I knew everything we do is going to be on TV. I am a teacher, and I knew students would be watching ….Overall I think the producers did a good job, but at the same time, it’s a reality TV show. Something is going to happen. For me, it was about being in the right mindset.
Other than teaching, what’s next for you? I’m in the process of putting together a fall-winter 2014 collection, hoping to show it in the spring.
—Sylvia Adcock ’81